![]() There's a lot of options once you break away from resembling a piano. And you can easily go into a wholly rhythmic approach by being sample-focused, and then just use drum pads to perform. If you reduce the keys to the ones you need to play the particular track you have, you only need maybe 16-24 most of the time(7-8 note scales across 2-3 octaves). It's actually the isomorphic boards that got me to think in terms of programming it all in the first place. These layouts are wonderful for hands-on play with scale and harmony ideas, and can be experienced more cheaply with touchscreen apps, though I've never found an app in this category that I'm totally pleased with. I have not one but two exotic isomorphic MIDI layouts: the C-Thru Axis49(relatively speaking, portable enough to cram into a backpack, but a bit thick, fragile when dropped, and the manufacturer is long gone), and the Chromatone CT-319(full-sized, really nice build, cheesy built in sounds, manufacturer cleared stock for shipping price only). There are some examples of putting velocity on standard layout keyboards. It's mostly an issue of sheer DIY effort. I've considered repurposing ortholinear mechanical keyboards. It's open enough and programmable enough to serve nearly any synth need. I have a toy Casio to bang on if I want to play keys, though that admittedly isn't MIDI(Yamaha's PSS-A50 is, though!)įrom time to time I've considered getting a Critter
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